At The Beach 1966

My search for the perfect old-school Coppertone-type fragrance may finally be over. I'm hopeful about a scent I've just ordered online: At The Beach 1966, by perfumery CB I Hate Perfume.

CB I Hate Perfume was launched in 2004 in New York City by Christopher Brosius, who had previously founded cult-fave Demeter Fragrance Library (makers of the Play-Doh fragrance, among others).

Describing himself as an artist that uses scent as his medium, Brosius' range of unique, hand blended fragrances reflect fun, individuality and his own scent memories. What Christopher Brosius "hates" is the mass-produced stuff found in department stores.

According to the product description, At The Beach 1966 is "the exact recreation of a hot summer’s day spent lying in the sun [...] An absolutely brilliant and faithful interpretation of classic Coppertone meets beach..."

But the clincher for me was: "if you loved the smell of classic Coppertone tanning lotion, your jaw will hit the floor when you try this..."

images: (top) luckyscent.com
(bottom) pierjewelry.com

Expo 17 Blog

The folks at Expo 17 have recently launched a blog as a complement to their proposal of another exhibition in Montreal in 2017.

Check out an interesting article about the rise and fall of the city's futuristic infrastructures, as well as a poignant profile of "the mother of Expo 67".

images: (top) expo17.ca/expovox
(bottom) personal collection

The Pavilion of Monaco

The Principality of Monaco presented an elegant pavilion on the banks of one of Île Notre-Dame's many canals. Several interlocking towers of pale ochre stucco surrounded a central garden-cinema, in a setting of flowers, trees and exotic plants.

The pavilion sought to show that the joie de vivre experienced by both tourist and resident of Monaco sprang from a civilization nurtured by a rich history. The exhibit area was mostly open aired, giving visitors the impression of strolling down the narrow streets of Monte Carlo.

The pavilion was divided into several different thematic areas, which featured displays on geography, history, science and culture, climate, sports, tourism, as well as a section entitled Monaco Tomorrow.

Ancient and modern coins, as well as stamps with portraits of Monaco's successive princes served as tokens to the principality's bountiful history. Cameras and lenses showed Monaco's flourishing optics industry. A display of car paraphernalia called forth the famed Monte Carlo rally and the prestigious Monaco Grand Prix, while a handsome boat floating alongside the pavilion exemplified top-class sailing vessels built in Monaco.

A large, light-filtering parasol covered the garden theatre, where visitors could watch a 15-minute color film on the famed Monégasque joie de vivre, in a setting of rosemary, cyclamens, geraniums and balsamin.

images: (1) alamedainfo.com

(2) courtesy DC Hillier
(3-5) westland.net/expo67
(4) personal collection
(6) expo67.ncf.ca

On Vacation

I am off to Cuba for a week to soak up the sun!

The Expo Lounge will return as of Tuesday, May 6, 2008.

Expo a Go-Go

While I patiently wait to go dancing at Piknic Électronik, here's footage of youngsters go-go dancing at the Ontario pavilion at Expo 67... Groovy!

Dreaming of Piknic

On sunny Sundays, the former Expo 67 site grooves to the beat of electronic music.

Warmer weather makes me dream of the long-awaited 2008 edition of Piknic Électronik (now in its 6th year!).

From the official Facebook group:

"These days are intended to bring music-lovers together
in a unique and friendly atmosphere where they can
take advantage of the warm weather, enjoy a breathtaking
view of the city, and listen to quality electronic music.
Conscious of its mission, the Piknic Electronik aims
to showcase the best of the Montreal & international
electronic music scene making this weekly experience
a time of discovery that stimulates the senses."

This year's lineup is to be announced on May 7th, 2008, while the first Piknic itself is scheduled for Sunday, May 18th (as of 2pm) at Place de l'Homme, on Île Sainte Hélène...

Alexander Calder's Man sculpture, as seen in 1967.

images: (top) facebook.com
(bottom) courtesy DC Hillier

Supreme Rarities

I always get excited when I see a "new" Supremes release.

This time around, I'm flipping over a veritable treasure trove of ultra-rare Supremes recordings, culled directly from the Motown vaults: a limited edition, 2-CD set entitled Lost and Found: Let the Music Play: Supreme Rarities 1960-1969.

Spanning the Supremes' earliest Motown days right through to their final sessions together, Let The Music Play features unreleased material, alternate versions of known hits, and some ultra-rare covers: versions of the Rolling Stones' "(I Can't Get No) Satisfaction" and the Beatles' "I Saw [Him] Standing There", to name a few.

Where possible, unheard studio chatter from the girls and their producers has been included, as well as some rare radio promos from the personal collection Scott Regan, a Detroit disk jockey in the 1960's.

Topping off Let The Music Play is a deluxe 32-page booklet featuring never-before-seen photos, detailed song annotations and a discography of the Supremes rare and unreleased catalog.

And speaking of ultra-rare, here is a special treat for Expo Lounge visitors: a promotional Supremes film from 1966, with original narration... Enjoy!



images: "Let The Music Play" cover art

The Automotive Stadium

The Automotive Stadium (commonly known by its french name Autostade) was a 25,000 seat outdoor structure built for Expo 67 by the Motor Vehicles Association of Canada. Completed in 1966 and located near Place d'Accueil, the 366,100 square foot stadium was a joint effort by Ford, Chrysler, Volvo, American Motors, and General Motors.

The Autostade was made up of 19 pre-cast, seat supporting units which rested on pre-stressed columns and beams. Each of the 19 units sloped up from ground level, creating the effect of a bowl, designed to give each spectator a good view from anywhere in the stadium.

Other features of the Autostade included: parking for 11,000 cars, large administration offices, a press room, radio and television booths seating 60 people, a special lounge for dignitaries, storage and dressing spaces, as well as washrooms and concession stands located on the concourse level under the stands.

The stadium's modular design meant it could be easily dismantled after Expo and reassembled elsewhere. A Montréal '66 article stated that it could even be "enlarged to seat 75,000, which would make it by far Canada's largest stadium"...

Six large scale events were held at the Autostade during Expo 67:

• Ringling Brothers, Barnum and Bailey Circus
(May 16-21, 23-28)
Mammoth outdoor circus that featured the world's greatest performers. Highlights included a succession of hair-raising and death defying stunts.

• Canadian Armed Forces Tatoo
(June 19-22 and June 25 to July 4)

The greatest event of its kind ever staged by Canada's Armed Forces. Specially produced for Expo and in honor of Canada's Centennial Year, it told the military story of the nation while looking towards the future.

• Flying Colors
(July 11-30)

Maurice Chevalier in Flying Colors was conceived and produced by Leon Leonidoff, famed producer of shows for Radio City Music Hall. It was heralded as "the largest of all the Stadium spectaculars... certain to be one of Expo 67's major highlights".

• La Gendarmerie Française
(August 21 to 27, August 29 to September 4 and September 6-9)

La Gendarmerie, a force with a history that went back to the 15th century, put on this spectacular for the first time in North America. The cast for the spectacle included 700 men, 130 horses, 40 motorcycles and 25 jeeps.

• World Horse Spectacular
(September 17 to October 1)

Colorful, exciting and unusual horse acts from many countries were included, with Canada represented by the famed musical ride of the Royal Canadian Mounted Police.

• Great Western Rodeo
(October 6 to 15)

This spectacular represented an outstanding aspect of the Western scene, and an activity which in most parts of the world was regarded as typically Canadian. The Expo Rodeo would compare with the finest events of its kind ever seen on the continent.

images: (1) alamedainfo.com

(2) westland.net/expo67
(3) personal collection
(4) expo67.ncf.ca

Homeschooling of the Future

Another fabulous video of the "future", 1960's-style...

The Stephen Leacock Building

Like Montreal itself, McGill University experienced a building boom in the 1960's. A dramatic climb in enrollment during this period meant that faculties and departments were outgrowing their spaces. Construction projects all over campus sought to fill this void, including a new building for the Faculty of Arts.

Leacock was strategically connected to the ancestral Arts building.

Built in 1965, the Leacock building was named after Stephen Leacock, a well-known Canadian humorist and author, and a McGill professor from 1901 to 1944. The exterior of the 10-storey structure was made of precast load-bearing concrete panels, each of which contained a sealed window. Concrete pillars helped support some of the projected portions of the structure, including a corridor that connected the tower to the old Arts building. The first floor circulation passageways were designed to be lit for the most part by natural daylight, which entered through glass walls on the east and south sides.

A student lounge area, complete with ashtrays.

A typical 60's Leacock office, left, and the glass walled corridor to Arts, right.

Inside, the first 3 floors were reserved for student and lecture areas. These lower floors were accessible from terraces located on the second and third floors, or the first floor street level entrance. This was intended to keep student traffic to a minimum.

Some 24 lecture halls ranged in capacity from 30 to 200, not including a 650-seat auditorium located on the first floor. The latter was designed with no windows (to provide fewer distractions), and its seats sloped in the same direction as the natural hillside.

The upper tower was reserved for 125 offices, accessible by elevator.

A mod council room in the Leacock building.

A little known fact is that the Stephen Leacock building was originally planned as two towers. Had this been the case, Morrice Hall, a beautiful Collegiate Gothic style structure built in 1871 (and still standing today) would have been demolished for the second tower...

Leacock, left, and Morrice Hall (formerly The Presbyterian College of Montreal), right.

View from Doctor Penfield Avenue.

images: archives.mcgill.ca